Starring: Sandra Bullock, Quinton Aaron, Tim McGraw
Director: John Lee Hancock
Screenplay: John Lee Hancock (based on a book by Michael Lewis)
Rating: PG-13 for one scene involving brief violence, drug and sexual references
For Sandra Bullock 2009 was the best year of her career. The summer comedy “The Proposal” was a pretty big box-office hit and “The Blind Side” was not only a huge dollar-maker and it seems will guarantee her an Oscar. Quite a big leap from comedian to dramatic lead (much like Mo’Nique in “Precious”). Of course there was also the God-awfull “All About Steve”, but I’ll let that one slide.
“The Blind Side” is esentially the true story sports drama we’ve all seen before, featuring the underdog and the people who support him along the way to fullfiling his dreams and/or ambitions of becoming a hero on the field (or whatever arena the sport in question takes place in). However, director John Lee Hancock surprisingly moves freely past some boundaries while keeping the film safe at home in all the familiar sports movie cliches. The story follows a homeless african-american kid Michael Oher (Quinton Aaron), who one day happens to cross paths with the Touhys, a tipical southern republican family in love with sports and family values. Mama Touhy, Leigh Anne (Sandra Bullock), strong-willed and compassionate, takes Michael in and makes it her personal crusade to help him realise his full potential, which coincidentally is, since this IS a sports drama after all, to become offensive left tackle in the college footbal program, and later on being recruited by the NFL. The saving grace of this movie is that it concerns a little bit less with the sports and more with the dynamics betwenn the Touhys and Michael, which, in a nutshell, is like a kids-friendly version of “Precious”.
Michael has locked himself away from everything and everyone. He’s a defeated young man, with no hopes or prospects, who does not have the means to save himself. Until Leigh Anne Touhy reached out to him. A touching story that gets translated to the big screen with plenty of emotionality, sometimes pushing into blatant melodrama. Seemingly aware of the requirements of underdog stories, Hancock shifts some of the focus away from the result of Oher escaping his impoverished past and becoming an NFL football player. It’s not just the story of a football player, but the story of a human being, pulled away from the streets and given a chance to fully grow. Thus, Michael’s story is not one of success and fame, but one of salvation. The director pulls it off, even while conducting the sports drama elements in a by-the-numbers fashion and all the comic relief elements, such as the Touhy’s plucky young son S.J. (who provides some of the funniest moments on-screen). The story has strength and Hancock knows exactly how to mix it with all the rest of the things a crowd-pleasing Hollywood movie needs, in a manner that makes us forgive some of its superficial interpretations of real life (and there certainly are plenty of those too).
The cast is great, especially newcomer Quinton Aaron, who pulls off a superbly subtle and touching performance. He can express so much with just his eyes, that there’s practicaly no need for him to say any lines. We can sense his turmoil, but cannot fully understand it at first. He maintains a safe distance from everyone, slowly revealing his true self just as soon as he feels it is safe to. Bullock is also riveting, and safe to say that this is her career-defining moment, years in the making. Here she puts all her experience to work, delivering a dynamic, candid, surprisingly balanced performance. Clearly one of the best the year has to offer for leading actresses. I’m not sure I actually think she fully deserves the Oscar this year, though, but I’m sure she will be bestowed the honor, considering the awards she’s earned so far (Golden Globe, Screen Actors Guild award, Broadcast Film Critics Association award). I guess, if she’s ever going to win an Oscar, it might as well be now.
Overall “The Blind Side” is essentially family entertainment, cleverly blending the inspirational true story sports genre with bits of social commentary, garnished with some laughs and sprinkled with healthy doses of melodrama and a solid cast, making it watchable for anyone seeking a fun and involving treat. It’s crafty cinema at its best, just don’t expect any profound experiences.