Starring: Tim Daly, Tom Arnold, Zoe Saldana, Edward Herrmann, Andrea Roth, Robert Prosky, Bruce Altman, LJ Foley
Director: Tennyson Bardwell
Screenwriter: Tennyson Bardwell
Inspired by last week’s great reviews I decided to watch more horror movies in spite of being a total pansy and as I started with “Orphan” – because of which I may start billing Skellington for all the electricity I’m wasting keeping the lights on at night, I continued with “The Skeptic”, given to me by the very sweet and considerate little monster that is my sister. I honestly don’t think there will be a third one; I am just not cut out for this.
“The Skeptic” tells the story of Bryan Becket, played by Tim Daly, who decides to move in his late aunt’s house as a warning to his wife who wants him more emotionally attached. He is very cold, calm and collected, a control freak that hates human bonding. His only friend and his wife both get the jerk treatment, as his calculating lawyer ways leaving no room for emotional blackmail and psychobabble. That was at the beginning. But soon after he moves he starts to experience a series of inexplicable events. A supermodel psychic join him in his quest to find out what exactly I causing all the apparent supernatural phenomena that makes him question everything he believes in (or doesn’t believe in). He is, of course, The Skeptic.
Tim Daly (the only other thing I’ve seen him in is the TV show “Private Practice”, where I was frankly not impressed with his work, as I thought he was bland, had the mobility of a block of wood and the script tried too hard to make him kind and loving by showing cheesy lines down my throat) grows on me in this movie that requires from its main lead an intentional lack of expression and emotion. And by the end of it, I saw many scenes beautifully acted and a potential for more. It came as a shock to me, but he is very good in this role and about two potatoes out of these 6 are all his. His wife is Robin (Andrea Roth), and she is a little bit too preoccupied to be pretty and blonde for my taste. And the believer, played by Zoe Saldana, started out by being incredibly annoying, but she managed to integrate herself into the story and thus she became useful, but not irreplaceable.
The best actor in this movie is the house. Remember Norman Bates’ mother’s house? Well, this one is at the same level of emoting creepy vibes, only without the benefits of black and white cinematography; I don’t know if they built it or they actually used an existing one, but if someone lives there in real life, then in spite of the multitude of rooms and great architecture, I just cannot imagine any place I would want to be less. It is one of those houses that cannot stop screaming “haunted” even when in broad daylight. The director does a good job focusing on the strong cast, the close ups and tight frames make you afraid of what might happen outside the shot, in the background or in the eyesight of the respective character. These are the good.
The bad? The script is average bordering on nauseating, and the scare tactics are a little overused and clichéd. Some moments make you scream: “Enough already, stop trying to wedge in every leftover horror prop known to man!”, others just remind you of better movies where you saw that exact scene/take/framing. It is scary, yes, and its goal is thus achieved, but it is also completely unoriginal and I am under the impression that it somehow fails to impress the genre fans (which I am not, so it is just a supposition based on the horrible reviews, i.e. 8% fresh on Rotten Tomatoes), who have more comparison material. The core story is good, but somehow not meaty enough to sustain an hour and a half of plot development. It could have been worse, but it also had the potential to be much, much better.
This movie is a decent slasher flick. It never amazes, never disappoints, it’s sometimes frightening, sometimes boring, it rests heavily on the actors’ shoulders and it fails at the creativity chapter, but for a night out with friends it will do just fine. Written in the ‘80s, it would have been a hit then, but it has clearly not aged well, as it is not making any waves now.